Para evaluar este parcial, solamente tomaré en cuenta sus libretas, en las cuales estaré revisando las 4 actividades que realizamos durante este periodo, y claro que tomaré en cuenta sus apuntes tomados en clase.
act. 1: Exam Correction
act. 2: Activity April 15th, actividad realizada antes de salir de vacaciones, muy pocos la entregaron
act. 3: Review. Actividad realizada el dia que me ausenté
act. 4: Actividad relaizada el viernes 20 de Mayo
Saludos y mucha suerte en su examen
Sus libretas las pueden pasar a dejar a Coordinación de Inglés.
Sunday, May 22, 2011
Tuesday, April 5, 2011
Social Studies (1A & 1B) Recepes
Dimensiones: 20 cm x 15 cm
Incluir portada
8 recetas brevemente explicadas, con ingredientes, preparación e imágenes
Pueden encontrar las recetas en la siguiente página http://www.oaxaca-travel.com/
A MANO, NO PAPEL CRAFT
Fecha de entrega: Viernes, 8 Abril 2011.
Checaré libretas
SUERTE
Incluir portada
8 recetas brevemente explicadas, con ingredientes, preparación e imágenes
Pueden encontrar las recetas en la siguiente página http://www.oaxaca-travel.com/
A MANO, NO PAPEL CRAFT
Fecha de entrega: Viernes, 8 Abril 2011.
Checaré libretas
SUERTE
Tuesday, March 22, 2011
2A (March 23rd 2011 Questionnaire)
1. - Why did the Korean War start?
_________________________________________________________________________
2. - When did the North Korean forces invade South Korea?
_________________________________________________________________________
3. - What is PRC?
_________________________________________________________________________
4. - What was the so-called Aryan race?
_________________________________________________________________________
5. - When was Poland invaded?
_________________________________________________________________________
6. - Who were the victims of the Holocaust?
_________________________________________________________________________
7. - Which country attacked the U.S. pacific float Pearl Harbor?
_________________________________________________________________________
8. - Which parallel divided the peninsula of Korea?
___________________________________________________________________________
9. - Mention TWO countries that supported South Korea during the war
___________________________________________________________________________
10. - When did WWII start?
___________________________________________________________________________
Thursday, March 17, 2011
Handicrafts (1A & 1B MARCH 18th 2011)
Stone cutting
Description
Hundreds of years before colonial times left their indelible mark of magnificent constructions and sites, native artists had already displayed their tremendous skill and creativity, by working in stone, even before they were familiar with the iron tools used in Europe, which would have made their work so much easier. So it was then, that conquerors did not need to introduce any new architectural techniques to America. All they had to do was transform and manipulate the existing resources found in the new land, as well as to exploit the native's manual abilities.
This is why most of the constructions dating back to colonial times took on such a personal touch, so different to the atmosphere found in Europe. Creole architects were able to instil these sites with their own transforming, creative spirit, through the hands of indigenous stoneworkers, skilful and capable men who created wonderful sites such as the frets found in Mitla, the creation of the baroque portal found in San Agustín, la Soledad porch, and the portal of San Francisco, all built during colonial times. True re-construction of parts of 400-year-old monuments, such as the Cathedral towers and the Palace of Powers has been made possible because of their talent.
Pre-Hispanic and colonial constructions are proof of the extraordinary skills that Oaxacan stonecutters possess. Their labour has been slowly replaced with concrete buildings, in which the exactness of stonecutting, the smooth surface of quarry stone, the mathematical precision of the joints and grace of the moulding and reliefs that give the Oaxacan stonecutter an undeniable artistic character is not to be seen.
Location
Stone cutting work is seen on every colonial building throughout the entire State of Oaxaca.
Hundreds of years before colonial times left their indelible mark of magnificent constructions and sites, native artists had already displayed their tremendous skill and creativity, by working in stone, even before they were familiar with the iron tools used in Europe, which would have made their work so much easier. So it was then, that conquerors did not need to introduce any new architectural techniques to America. All they had to do was transform and manipulate the existing resources found in the new land, as well as to exploit the native's manual abilities.
This is why most of the constructions dating back to colonial times took on such a personal touch, so different to the atmosphere found in Europe. Creole architects were able to instil these sites with their own transforming, creative spirit, through the hands of indigenous stoneworkers, skilful and capable men who created wonderful sites such as the frets found in Mitla, the creation of the baroque portal found in San Agustín, la Soledad porch, and the portal of San Francisco, all built during colonial times. True re-construction of parts of 400-year-old monuments, such as the Cathedral towers and the Palace of Powers has been made possible because of their talent.
Pre-Hispanic and colonial constructions are proof of the extraordinary skills that Oaxacan stonecutters possess. Their labour has been slowly replaced with concrete buildings, in which the exactness of stonecutting, the smooth surface of quarry stone, the mathematical precision of the joints and grace of the moulding and reliefs that give the Oaxacan stonecutter an undeniable artistic character is not to be seen.
Location
Stone cutting work is seen on every colonial building throughout the entire State of Oaxaca.
Iron Work
DescriptionThis kind of work represents a unique and uncommon trade. It is one of Oaxaca's most prestigious fields since the middle of the sixteenth century.
Ironwork introduced in colonial times, spread to all corners of the State. This is how the difficult art of iron forging was first introduced to the towns of Juquila and Jamiltepec. The production of the famous, well-tempered coastal machetes, magnificent examples of blades decorated with suggestive drawings and daring inscriptions originated here. Tlacolula is the home of artistic ironwork, such as those enriching the Señor de la Cruz chapel.
Humble forges produce a useful and diverse assortment of iron implements: primitive hoes, machetes and plowshares. Products needed in carrying out agricultural tasks are horseshoes, iron markers, lamps, hinges, doorknockers, spikes, bolts and very resistant locks. The production of forged iron products is currently limited to the previously mentioned products.
Location
The following towns produce this handicraft:
• Tlacolula de Matamoros: Is located 19 miles (30 kilometres) Southeast of the City of Oaxaca via highway 190 to the Isthmus. Approximate travel time: [0:35]
• Santa Catarina Juquila: Is located 129 miles (207 kilometres) Southeast of the City of Oaxaca via highway 131. Turn right when you reach the Vidrio town. Approximate travel time: [3:50]
• Santiago Jamiltepec: Is located 68 miles (109 kilometres) West of Puerto Escondido via highway 200 to Pinotepa Nacional. Approximate travel time: [2:00]
Sandals and tipical footware
DescriptionThe design of "huaraches" [sandals] is pre-colonial. Some of this footwear is still made as in the past, using wild boar and tapir skin for the sole and deerskin straps. This footwear is commonplace among the natives of the state. In some places, leather is used for the straps and "boquetas". In Coixtlahuaca, Oaxaca, for example, natives wear sandals known as "cacles", which are made from palm. Sandals worn by native women in Yalalag, offer a great contrast between the rough leather of the soles and the soft velvet decorating the upper part of the sandal, featuring figures of animals and flowers. In the Tlacolula Valley natives wear "cacle-shoe".
Huaraches are, undoubtedly, the most common type of footwear in the State. Recently huaraches are produced with the recycled rubber from old tires. All "cacles" are made with wooden, leather or chamois straps.
Location
Production of sandals and typical footwear is done on several locations throughout the entire State of Oaxaca, besides the Oaxaca City itself. Some of the towns that produce this handicraft are:
• Tlacolula de Matamoros: Is located 19 miles (30 kilometres) Southeast of the City of Oaxaca via highway 190 to the Isthmus. Approximate travel time: [0:35]
• San Juan Bautista Coixtlahuaca: Se ubica al noroeste de la Ciudad de Oaxaca, a 113 kilómetros (70 millas), por la supercarretera 131-D con destino a la Ciudad de México. Approximate travel time: [1:30]
Wood Work
DescriptionWoodwork is part of popular Mexican art, and is always attractive and full of colour. The gamut of wood products made in Oaxaca is varied; and some of the best known are the masks and toys.
Wooden masks are famous in Huazolotitlán. They are shaped like tigers, panthers, lions, rabbits and bulls, as well as human faces, used for traditional holidays. Man has worn masks since the beginning of time. These masks are made of several different materials; and their motives ritual or ornamental. In both life and death, these masks participate in magic, instilling respect and fear. Magic preceded religion in primitive nations. Man believed that his soul could come to life in other creatures through magic and mystery. Hiding their faces behind masks meant turning into something else, whether an animal or the supernatural being they wanted to become. A mask was always sacred since it embodied its guardian spirit, invoking success in battle or hunt.
Indigenous tradition, markedly influenced by Pre-Hispanic customs, is frequently seen in the elaboration of wooden toys, especially in certain towns or regions, where toy production, though demand is low, does not present much variation. This is due to the lack of communication of the artisan and the resulting difficulty in renovating. Large quantities of dolls and animals are made in Oaxaca, coarsely made of polychrome wood. In some cases, the figures have rigid arms, carved separately and attached to the body with nails.
Beautiful wooden toys are also produced. Wood is used in multiple ways in producing these wonderful toys. Wood, with all its infinite resources, lends itself to the creation of numerous textures and expressions. The roots, bark, trunk, branches, florescence, fruit and seeds contribute to this. Wood is worked with the help of the simplest instruments, from razor blades, cutters or machetes to a chisel, gauge or rudimentary hand or foot driven lathe. Such is the case of the wooden hand beater producer who uses the same technique for everything he does in his trade, from common use to toys. The same craftsman creates miniature spoons, spatulas, and rolling pins.
Some products worth mentioning are the famous carved toys from Arrazola, Oaxaca. They are the reproductions of serenade singers wearing "charro" [Mexican cowboy] hats, with moveable attached arms, carrying a fighting rooster with an Ixtle tail under each arm. The colours they use are green, red, purple and black.. They also make other toys including yellow-eyed owls with large nailed-on wings, carved in white wood and decorated with small blue and black dots and stripes. Despite how primitive these figures may look, a great amount of creativity is involved in their creation.
Location
Besides the capital city, this handicraft can be found in the following towns:
• San Antonio Arrazola: Is located 6 miles (10 kilometres) Southwest of the City of Oaxaca via the paved highway to Cuilapan. After passing Xoxocotlán, continue another 3 miles (5 kilometres) and take the detour right. Approximate travel time: [0:15]
• Santa María Huazolotitlán: Is located 79 miles (127 kilometres) West of Puerto Escondido via highway 200 to Pinotepa Nacional. Turn left at the detour and follow the road for another 2.5 miles (4 kilometres). Approximate travel time: [2:30]
Leather Work
DescriptionLeather Work has been a very important industry since the sixteenth century, because leather is extremely useful in transportation, clothing, and domestic items. Worked and embroidered products constitute an important industry in Tlaxiaco. Ammunition belts, purses, backpacks, trunks, jackets, and even hats are made in a different kind of leather than the thick, well-tanned type used for harnesses, saddles and briefcases.
The tanned leather industry reached its peak during the famous artistic era of the Ejutla and Jalatlaco tanneries. Due to its remarkable embossing and embroidery, leather work in Oaxaca was a very valuable industry for the whole country, warranting an honorary mention in some Spanish exhibitions.
The process for tanning hides takes between one and a half to two months. Simple but ample facilities are required for production purposes. Hides must be fresh to tan well. Some details follow:
• Hides are salted in batches of 30 to 35.
• Salt is removed and hair scraped from the hides, using sulphur and water (pallet).
• Hides are steeped in a lime solution for approximately 8 days.
• Hides are cleansed and skin remnants are removed.
• Hides are steeped in water for a second time.
• Lime is removed during two or three days.
• Production is started with "oropon" or "salvadillo".
• Hides are softened for one to two weeks in a solution made of timbre and alum, similar to the Spanish procedure for making bodriosor jars.
• The leather is refined, depending upon its end use.
Currently, billfolds and beautifully made desk articles, vests and elegant caps are made of soft leather.
Location
These handicrafts can be found in the following towns:
• Ejutla de Crespo: Is located 39 miles (63 kilometres) South of the City of Oaxaca via highway 175 to Puerto Angel. Approximate travel time: [1:00]
• Heroica Ciudad de Tlaxiaco: Is located 101 miles (163 kilometres) Northwest of the City of Oaxaca via highway 131-D to Mexico City. When you reach Nochixtlán, take the highway 190 (to Huajuapan de León) detour. Follow this road until you reach Yucudaa and then take the highway 125 detour to Tlaxiaco. Approximate travel time: [2:30]
• Barrio de Jalatlaco (City of Oaxaca): This neighbourhood is located 20 blocks Northeast of the Zócalo. Estimated walking time: 5 minutes.
Pottery
Oaxacan pottery holds an important position the State's handicraft field. Glazed tiles, featuring brown and white backgrounds with floral designs are easily found in Oaxaca City and across the Central Valley's towns. Production includes: plates cups, fruit bowls, jugs, pitchers, pots, vases, tea sets and toys.
The pottery found in Atzompa, a town near Oaxaca City, is very famous for its production of glazed tiles, which is characterised by its designs, based on tablet and fretwork techniques. The most common objects that can be found are: pots, flower pots, jars, vases, casserole dishes, dishes, toys and an endless number of decorative articles.
Manufacturing techniques applied to this pottery are completely primitive and based on patterns, upon which the piece is worked, according to the shape and dimensions required. Some of these pots are huge, over five and a half feet. tall, which makes it impossible to shape them on a potter’s wheel.
Pottery from Atzompa is one of a kind, due to its manufacturing and peculiar greenish glaze, which is easy to tell apart from the pottery found in the rest of the State and country.
The small pottery industry located in Atzompa is extremely unusual, since potters’ shops in each different neighbourhood are dedicated to manufacturing different types of pieces, destined to be exhibited and sold at "La Casa del Artesano" (House of the Craftsman), located in the centre of this small town.
Despite the common uses these pieces are given, they all have the distinctive aesthetic touch of the natives that personalises each and every one of the pieces, displaying the great creative fantasy these natives possess.
Production of Atzompa's most typical, green-glazed pieces, is simpler than that of other types of pottery, which is painted. Clay is cooked only once and then bathed in green Fuller's Earth, which is sold in Oaxaca City, thus creating glazed, green pottery. The thickest part, known as the "coco", of pieces such as jars, pots, jugs, etc. is made first, then the artist continues on with the neck and handle. If these objects are simple, they are completed in one step.
More elaborate items are decorated through the use of separate pieces, consisting in over-laid designs, although all is done in the same green tones.
Once the pieces have been put out to dry for two or three days, exposed to direct sunlight, they acquire certain shades of grey, meaning they are ready to be smoothed both inside and out. Once the rough spots have been removed, the pieces are placed in a kiln for 24 hours. After that, they are rinsed with water, where some Fuller's Earth and copper sulphate have been dissolved, thus giving the piece its traditional glazed aspect.
The pottery found in Atzompa, a town near Oaxaca City, is very famous for its production of glazed tiles, which is characterised by its designs, based on tablet and fretwork techniques. The most common objects that can be found are: pots, flower pots, jars, vases, casserole dishes, dishes, toys and an endless number of decorative articles.
Manufacturing techniques applied to this pottery are completely primitive and based on patterns, upon which the piece is worked, according to the shape and dimensions required. Some of these pots are huge, over five and a half feet. tall, which makes it impossible to shape them on a potter’s wheel.
Pottery from Atzompa is one of a kind, due to its manufacturing and peculiar greenish glaze, which is easy to tell apart from the pottery found in the rest of the State and country.
The small pottery industry located in Atzompa is extremely unusual, since potters’ shops in each different neighbourhood are dedicated to manufacturing different types of pieces, destined to be exhibited and sold at "La Casa del Artesano" (House of the Craftsman), located in the centre of this small town.
Despite the common uses these pieces are given, they all have the distinctive aesthetic touch of the natives that personalises each and every one of the pieces, displaying the great creative fantasy these natives possess.
Production of Atzompa's most typical, green-glazed pieces, is simpler than that of other types of pottery, which is painted. Clay is cooked only once and then bathed in green Fuller's Earth, which is sold in Oaxaca City, thus creating glazed, green pottery. The thickest part, known as the "coco", of pieces such as jars, pots, jugs, etc. is made first, then the artist continues on with the neck and handle. If these objects are simple, they are completed in one step.
More elaborate items are decorated through the use of separate pieces, consisting in over-laid designs, although all is done in the same green tones.
Once the pieces have been put out to dry for two or three days, exposed to direct sunlight, they acquire certain shades of grey, meaning they are ready to be smoothed both inside and out. Once the rough spots have been removed, the pieces are placed in a kiln for 24 hours. After that, they are rinsed with water, where some Fuller's Earth and copper sulphate have been dissolved, thus giving the piece its traditional glazed aspect.
Basket making
Description
Oaxaca is one of the richest States in popular art, both in Oaxaca City and its surrounding towns. The State's wide production of handicraft represents the means of support for many Oaxacan families, as well as a great attraction for visitors of this State.
Ditch reed is a very popular plant, especially in the Valleys. It is known that this plant is a hollow, thin walled cane. Its surface is straight and shiny, turning yellow when dry. This material can be found in Valley riverbanks and in small isles during the rainy season.
Artisans carry their products to market on mules or in carts. They sell their work there on market days, or they take their weekly production all the way to Oaxaca City. The artisans usually work with hollow, green ditch reed, but wait for the plant to become solid when using it for jobs that are more rustic. The artisan works the ditch reed while sitting on a stool, using his hands and feet at the same time. He selects the reed he will use depending upon the different shapes he is to make. He cleans the reed by removing the outer peel, and after marking it, tears it into the width needed for the pieces to be worked on.
Tender ditch reed is worked in the same fashion. After it has been pounded with two river stones, the pulp is removed to make it useable for more refined items, not for rustic articles. They place reeds one on top of another in the shape of a star and tie them together with a thin strip to form the base. Three strips are used to start the edge. They start to weave the basket, giving it the desired shape. Intricate work is done very carefully, but they make use of frames or forms for the simpler baskets to make sure they are all of the same size. When weaving is completed, the framework reeds are bent with a knife, and any splinters removed. Then the basket is finished, taking care to pass the strip only through the edging strips.
These works of art are created in different shapes and sizes. Some pieces you may find are: cages, wide-based baskets, barrels, small baskets, coin purses, key holders, and the most beautiful lamps, folding screens, candy dishes, curtains, tortilla baskets, serviette holders, desk articles, etc. All of these products are commonly used on an everyday basis. Ditch reed then, is the artisan’s plant.
Location
Some communities near the city that produce these handicrafts are:
• Santa Cruz Papalutla: Is located 19 miles (31 kilometres) Southeast of the City of Oaxaca via highway 190 to the Isthmus. Turn right after 11 miles (18 kilometres). Approximate travel time: [0:40]
• Tlacolula de Matamoros: Is located 19 miles (30 kilometres) Southeast of the City of Oaxaca via highway 190 to the Isthmus. Approximate travel time: [0:35]
• Ocotlán de Morelos: Is located 22 miles (35 kilometres) South of the City of Oaxaca via highway 175 to Puerto Angel. Approximate travel time: [0:40]
• Villa de Etla: Is located 9 miles (15 kilometres) Northwest of the City of Oaxaca via highway 190 to Mexico City. Approximate travel time: [0:30]
Oaxaca is one of the richest States in popular art, both in Oaxaca City and its surrounding towns. The State's wide production of handicraft represents the means of support for many Oaxacan families, as well as a great attraction for visitors of this State.
Ditch reed is a very popular plant, especially in the Valleys. It is known that this plant is a hollow, thin walled cane. Its surface is straight and shiny, turning yellow when dry. This material can be found in Valley riverbanks and in small isles during the rainy season.
Artisans carry their products to market on mules or in carts. They sell their work there on market days, or they take their weekly production all the way to Oaxaca City. The artisans usually work with hollow, green ditch reed, but wait for the plant to become solid when using it for jobs that are more rustic. The artisan works the ditch reed while sitting on a stool, using his hands and feet at the same time. He selects the reed he will use depending upon the different shapes he is to make. He cleans the reed by removing the outer peel, and after marking it, tears it into the width needed for the pieces to be worked on.
Tender ditch reed is worked in the same fashion. After it has been pounded with two river stones, the pulp is removed to make it useable for more refined items, not for rustic articles. They place reeds one on top of another in the shape of a star and tie them together with a thin strip to form the base. Three strips are used to start the edge. They start to weave the basket, giving it the desired shape. Intricate work is done very carefully, but they make use of frames or forms for the simpler baskets to make sure they are all of the same size. When weaving is completed, the framework reeds are bent with a knife, and any splinters removed. Then the basket is finished, taking care to pass the strip only through the edging strips.
These works of art are created in different shapes and sizes. Some pieces you may find are: cages, wide-based baskets, barrels, small baskets, coin purses, key holders, and the most beautiful lamps, folding screens, candy dishes, curtains, tortilla baskets, serviette holders, desk articles, etc. All of these products are commonly used on an everyday basis. Ditch reed then, is the artisan’s plant.
Location
Some communities near the city that produce these handicrafts are:
• Santa Cruz Papalutla: Is located 19 miles (31 kilometres) Southeast of the City of Oaxaca via highway 190 to the Isthmus. Turn right after 11 miles (18 kilometres). Approximate travel time: [0:40]
• Tlacolula de Matamoros: Is located 19 miles (30 kilometres) Southeast of the City of Oaxaca via highway 190 to the Isthmus. Approximate travel time: [0:35]
• Ocotlán de Morelos: Is located 22 miles (35 kilometres) South of the City of Oaxaca via highway 175 to Puerto Angel. Approximate travel time: [0:40]
• Villa de Etla: Is located 9 miles (15 kilometres) Northwest of the City of Oaxaca via highway 190 to Mexico City. Approximate travel time: [0:30]
Palm Work
DescriptionPalm leaf weaving is a handicraft typical of the Mixteca region. Some of the most common products are; hats, "tenates" [Hand-woven recipient] fans, "soyates", sleeping mats, vases, coin purses, among others.
The northern part of this region has always been characterised for its palm leaf weaving. The city of Tlaxiaco offers hats, bags, breadbaskets, place mats, flowerpot holders, beach mats, baskets, table runners, and backpacks, among other articles.
These articles are available in several handicraft shops located around the city, or in FIDEPAL (Palm Leaf Trust Fund), a small company dedicated to the production of handicrafts made of palm leaves. Most of these articles are utilitarian and decorative.
Location
The town most well-known for doing Palm Work is:
• Heroica Ciudad de Tlaxiaco: Is located 101 miles (163 kilometres) Northwest of the City of Oaxaca via highway 131-D to Mexico City. When you reach Nochixtlán, take the highway 190 (to Huajuapan de León) detour. Follow this road until you reach Yucudaa and then take the highway 125 detour to Tlaxiaco. Approximate travel time: [2:30]
Alebrijes
Description
Manuel Jiménez was the man responsible for the beginnings of this particular artwork; he was also the only artist to work such a handicraft. His uniqueness is what allowed for his work to become very famous all across Mexico.
"Alebrije" is a slang term (generated from gypsy dialects) which means "a difficult tangled thing, shaped in confusing or fantastic figures". The original name is thought to be "Arrazola" which is of Basque origins in Spain, the name of the region's governor at colonial times. Since Zapotec is a tongue that does not include the letter "R", it is safe to presume that the previously mentioned theory is more acceptable for the origin of the word "Alebrije". The fantastic designs were influenced by the original "Alebrijes" made in Mexico City by the Linares family, created in a workshop which was located next to "Mercado Sonora" (Sonora Marketplace), located at the end of Circunvalación avenue in the country's capital city.
Arsenio Morales and the Ramírez brothers, Andrés and Miguel, three young and talented craftsmen who used to work with Alvaro Obregón, added their creative input to these figures. The materials used in these figures comes from branches of trees brought from the mountains, by the craftsmen themselves, carrying them on their backs, all the way back to town. These trips are executed on a daily basis, since the wood required for this handiwork must still be green.
The different shapes of the branches found on treetops invite these craftsmen to fulfil their imagination, thus forming the most beautiful figures of animals such as: lions, jaguars, iguanas, dogs, snakes, birds, goats and a wide range of fantastic and imaginary characters, helping themselves only with machetes and razors.
This kind of work can take hours or even days to be done, depending on the degree of skill the design and finishing touches demand.
Arrazola figures are painted in different colours, and decorated afterwards with drawings of stars and/or flowers.
The most charming details the figures offer is the shape they are given: animals, aliens from outer space, mythological dwarfs such as "naguales", angels or something totally unexpected. The only boundaries are marked by the artist's own imagination.
Costs vary according to the originality of the piece.
Location
This handicraft can be found mostly in the following two towns:
• San Martín Tilcajete: Is located 18 miles (29 kilometres) South of the City of Oaxaca via highway 175 to Puerto Angel. Approximate travel time: [0:35]
• San Antonio Arrazola: Is located 6 miles (10 kilometres) Southwest of the City of Oaxaca via the paved highway to Cuilapan. After passing Xoxocotlán, continue another 3 miles (5 kilometres) and take the detour right. Approximate travel time: [0:15]
Manuel Jiménez was the man responsible for the beginnings of this particular artwork; he was also the only artist to work such a handicraft. His uniqueness is what allowed for his work to become very famous all across Mexico.
"Alebrije" is a slang term (generated from gypsy dialects) which means "a difficult tangled thing, shaped in confusing or fantastic figures". The original name is thought to be "Arrazola" which is of Basque origins in Spain, the name of the region's governor at colonial times. Since Zapotec is a tongue that does not include the letter "R", it is safe to presume that the previously mentioned theory is more acceptable for the origin of the word "Alebrije". The fantastic designs were influenced by the original "Alebrijes" made in Mexico City by the Linares family, created in a workshop which was located next to "Mercado Sonora" (Sonora Marketplace), located at the end of Circunvalación avenue in the country's capital city.
Arsenio Morales and the Ramírez brothers, Andrés and Miguel, three young and talented craftsmen who used to work with Alvaro Obregón, added their creative input to these figures. The materials used in these figures comes from branches of trees brought from the mountains, by the craftsmen themselves, carrying them on their backs, all the way back to town. These trips are executed on a daily basis, since the wood required for this handiwork must still be green.
The different shapes of the branches found on treetops invite these craftsmen to fulfil their imagination, thus forming the most beautiful figures of animals such as: lions, jaguars, iguanas, dogs, snakes, birds, goats and a wide range of fantastic and imaginary characters, helping themselves only with machetes and razors.
This kind of work can take hours or even days to be done, depending on the degree of skill the design and finishing touches demand.
Arrazola figures are painted in different colours, and decorated afterwards with drawings of stars and/or flowers.
The most charming details the figures offer is the shape they are given: animals, aliens from outer space, mythological dwarfs such as "naguales", angels or something totally unexpected. The only boundaries are marked by the artist's own imagination.
Costs vary according to the originality of the piece.
Location
This handicraft can be found mostly in the following two towns:
• San Martín Tilcajete: Is located 18 miles (29 kilometres) South of the City of Oaxaca via highway 175 to Puerto Angel. Approximate travel time: [0:35]
• San Antonio Arrazola: Is located 6 miles (10 kilometres) Southwest of the City of Oaxaca via the paved highway to Cuilapan. After passing Xoxocotlán, continue another 3 miles (5 kilometres) and take the detour right. Approximate travel time: [0:15]
Cutlery and lead miniatures
Description
Oaxaca City is a very important production centre of this handicraft, which dates back to colonial times. Steel forging was brought to Mexico at that time. This process is used to this day in the production of swords in original old designs, as well as knives and machetes that have become a Oaxacan trademark, due to the funny and original thoughts engraved on their blades. Most of all, because of the wide range and quality of models that can be found. Their excellent quality can be seen as their blades are tempered and hammered in such a way that they can be bent to form a circle.
Some of the products that are made are: machetes, knives, swords, daggers, stilettos, flatware, and decorative objects. They are highly tempered. The most important feature of these articles is the acid-engraved images portraying Oaxacan landscapes and the inscription of some popular phrase.
The art of metallurgy flows from deep within Oaxacan soil, and is expressed in different manners. In Tlaxiaco, Mixteca region, the creation of a delicate collection of lead miniatures stands out, comprising a myriad of marvellous toys in which small soldiers, pre-Hispanic characters, Mexican heroes and passers through dressed in typical native garments, manger scenes, clowns, and others.
Location
Besides the capital city, this handicraft can be found in the following towns:
• Heroica Ciudad de Tlaxiaco: Is located 101 miles (163 kilometres) Northwest of the City of Oaxaca via highway 131-D to Mexico City. When you reach Nochixtlán, take the highway 190 (to Huajuapan de León) detour. Follow this road until you reach Yucudaa and then take the highway 125 detour to Tlaxiaco. Approximate travel time: [2:30]
• Ocotlán de Morelos: Is located 22 miles (35 kilometres) South of the City of Oaxaca via highway 175 to Puerto Angel. Approximate travel time: [0:40
Oaxaca City is a very important production centre of this handicraft, which dates back to colonial times. Steel forging was brought to Mexico at that time. This process is used to this day in the production of swords in original old designs, as well as knives and machetes that have become a Oaxacan trademark, due to the funny and original thoughts engraved on their blades. Most of all, because of the wide range and quality of models that can be found. Their excellent quality can be seen as their blades are tempered and hammered in such a way that they can be bent to form a circle.
Some of the products that are made are: machetes, knives, swords, daggers, stilettos, flatware, and decorative objects. They are highly tempered. The most important feature of these articles is the acid-engraved images portraying Oaxacan landscapes and the inscription of some popular phrase.
The art of metallurgy flows from deep within Oaxacan soil, and is expressed in different manners. In Tlaxiaco, Mixteca region, the creation of a delicate collection of lead miniatures stands out, comprising a myriad of marvellous toys in which small soldiers, pre-Hispanic characters, Mexican heroes and passers through dressed in typical native garments, manger scenes, clowns, and others.
Location
Besides the capital city, this handicraft can be found in the following towns:
• Heroica Ciudad de Tlaxiaco: Is located 101 miles (163 kilometres) Northwest of the City of Oaxaca via highway 131-D to Mexico City. When you reach Nochixtlán, take the highway 190 (to Huajuapan de León) detour. Follow this road until you reach Yucudaa and then take the highway 125 detour to Tlaxiaco. Approximate travel time: [2:30]
• Ocotlán de Morelos: Is located 22 miles (35 kilometres) South of the City of Oaxaca via highway 175 to Puerto Angel. Approximate travel time: [0:40
Tin-ware
Description
Tin-ware came to Oaxaca during colonial times, for the production of street lamps and domestic utensils such as candle holders and display cases.
Some pieces, manual impressions on tin lamina are: birds, fish, dancers, mirror and portrait frames, candle holders, children’s ornaments and original toys, and all bear the creativity of their makers.
Tin-ware pieces, such as four-foot tall soldiers and small Christmas ornaments are very colourful and extremely well designed. The former are very amusing, and the latter very ingenuous.
Artisans achieve the creation of true works of art, using simple tin lamina. They have come to Oaxaca City in order to be closer to this potential market, so the most important workshops are located in the capital city.
Location
Most of the tin-ware can be found in Oaxaca de Juárez, the State's capital city.
Tin-ware came to Oaxaca during colonial times, for the production of street lamps and domestic utensils such as candle holders and display cases.
Some pieces, manual impressions on tin lamina are: birds, fish, dancers, mirror and portrait frames, candle holders, children’s ornaments and original toys, and all bear the creativity of their makers.
Tin-ware pieces, such as four-foot tall soldiers and small Christmas ornaments are very colourful and extremely well designed. The former are very amusing, and the latter very ingenuous.
Artisans achieve the creation of true works of art, using simple tin lamina. They have come to Oaxaca City in order to be closer to this potential market, so the most important workshops are located in the capital city.
Location
Most of the tin-ware can be found in Oaxaca de Juárez, the State's capital city.
Saturday, March 12, 2011
WWII TIMELINE (2A & 2B MARCH 14th and MARCH 15th 2011)
Timeline
1939
• Hitler invades Poland on 1 September. Britain and France declare war on Germany two days later.
1940
• Rationing starts in the UK.
• German 'Blitzkrieg' overwhelms Belgium, Holland and France.
• Churchill becomes Prime Minister of Britain.
• British Expeditionary Force evacuated from Dunkirk.
• British victory in Battle of Britain forces Hitler to postpone invasion plans.
1941
• Hitler begins Operation Barbarossa - the invasion of Russia.
• The Blitz continues against Britain's major cities.
• Allies take Tobruk in North Africa, and resist German attacks.
• Japan attacks Pearl Harbor, and the US enters the war.
1942
• Germany suffers setbacks at Stalingrad and El Alamein.
• Singapore falls to the Japanese in February - around 25,000 prisoners taken.
• American naval victory at Battle of Midway, in June, marks turning point in Pacific War.
• Mass murder of Jewish people at Auschwitz begins.
1943
• Surrender at Stalingrad marks Germany's first major defeat.
• Allied victory in North Africa enables invasion of Italy to be launched.
• Italy surrenders, but Germany takes over the battle.
• British and Indian forces fight Japanese in Burma.
1944
• Allies land at Anzio and bomb monastery at Monte Cassino.
• Soviet offensive gathers pace in Eastern Europe.
• D Day: The Allied invasion of France. Paris is liberated in August.
• Guam liberated by the US Okinawa, and Iwo Jima bombed.
1945
• Auschwitz liberated by Soviet troops.
• Russians reach Berlin: Hitler commits suicide and Germany surrenders on 7 May.
• Truman becomes President of the US on Roosevelt's death, and Attlee replaces Churchill.
• After atomic bombs are dropped on Hiroshima and Nagasaki, Japan surrenders on 14 August.
Tuesday, March 8, 2011
WARS (2A&2B) UNIT 4
Spanish Civil War.
Introduction:
1936 to 1939: A military rising originating in Morocco, headed by General Francisco Franco, spreads rapidly all over the country, thus starting the Spanish Civil War.
After a number of bloody battles in which fortunes changed from one side to the other, the 'nacionales' finally prevailed and made a victorious entry into Madrid (March 28th, 1939).
Significant Events:
The Spanish Civil War was a major conflict that devastated Spain from 17 July 1936 to 1 April 1939. It began after an attempted coup d'état by a group of Spanish Army generals against the government of the Second Spanish Republic, then under the leadership of president Manuel Azaña
1936: The tragic death of Calvo Sotelo had the effect of accelerating a military coup that had been under preparation for a long time. Actually, the conspirators had been awaiting General Franco's decision to begin the uprising. On July 18th it spread to other garrisons in metropolitan Spain and the following day Franco took command of the army in Morocco. The rising was succesful in Seville (directed by General Queipo de Llano), the Balearic Islands (General Goded), the Canary Islands and Morocco (Franco), Navarra (Mola), Burgos and Saragossa. General Yague advanced through Extremadura and Mola took Irun. By the end of 1936 the Nationalist troops controlled the greater part of Andalucia, Extremadura, Toledo, Avila, Segovia, Valladolid, Burgos, Leon, Galicia, a part of Asturias, Vitoria, San Sebastian, Navarra and Aragon, as well as the Canary and Balearic Islands with the exception of Menorca. Castilla la Nueva, Catalunya, Valencia, Murcia, Almeria, Gijon and Bilbao remained in Republican hands.
The Republican government formed a coalition Cabinet headed by Giralt which was succeeded by another one under Largo Caballero. It brought the CNT (Confederacion Nacional de Trabajo, the anarcho-syndicalist union) into the Cabinet and moved to Valencia. On September 29, the Junta de Defensa Nacional named Franco head of the government and commander of the armed forces. To offset these circumstances, the Republican government created a Popular army and militarized the militia. Both sides were soon receiving aid from abroad: the International Brigades were supporting Republican Spain and Italian and German troops, Nationalist Spain.
Jarama, Brunete, Quinto, Belchite, Fuentes de Ebro, Teruel, The Retreats and The Ebro are the battlegrounds of the Spanish Civil War in which over twelve hundred Canadian soldiers supporting Republican Spain took part. These men created the most unique military unit in the history of Canada: the Mackenzie-Papineau Battalion of the XVth International Brigade of the Spanish Republican Army: 'the Mac-Paps.'
1937: The year 1937 was characterized by fighting in the north of the country: Guernica was bombed in April, Bilbao taken in June, Santander in August, and Gijon in October. The reaction of the Republicans was to open fronts in Guadalajara (March),Brunete (July), and Belchite (August). The Battle of Teruel was launched at the end of the year.
1938: The Nationalist transferred their efforts to Aragon, recovered Teruel and divided the Republican zone in two parts after entering Castellon in July 1938. The government replied with the so-called Battle of the Ebro (July-November 1938) which ended with a Republican defeat and 70,000 casualties.
1939: Once government resistance was exhausted, the Republican exile began with many Spaniards fleeing accross the border into France. Catalunya fell on February 10, 1939. Madrid was the only city still resisting, and the proposals of peace made by its Junta de Defensa (headed by Casado and Besteiro) were useless. Nationalist forces occupied the capital on March 28, 1939, and on April 1, General Franco officially ended the war.
KOREAN WAR
The Korean War was a military conflict between the Republic of Korea, supported by the United Nations, and the Democratic People's Republic of Korea, supported by the People's Republic of China and the Soviet Union. The war began on 25 June 1950 and an armistice was signed on 27 July 1953.
The war was a result of the political division of Korea by agreement of the victorious Allies at the conclusion of the Pacific War. The Korean peninsula had been ruled by Japan prior to the end of the war; in 1945 following the surrender of Japan, the peninsula was divided by American administrators along the 38th parallel, with United States troops occupying the southern part and Soviet troops occupying the northern part. The failure to hold free elections throughout the Korean Peninsula in 1948 deepened the division between the two sides, and the 38th Parallel increasingly became a political border between the two Koreas. Although reunification negotiations continued in the months preceding the war, tension intensified. Cross-border skirmishes and raids at the 38th Parallel persisted. The situation escalated into open warfare when the North Korean forces invaded South Korea on June 25, 1950. It was the first significant armed conflict of the Cold War.
The United States and the United Nations came to the aid of the South Koreans in repelling the Communist invasion. After early defeats at the hands of the North Korean military, a rapid UN counter-offensive repelled the North Koreans past the 38th Parallel and almost to the Yalu River, the People's Republic of China (PRC) came to the aid of Communist North. With Communist China's entry into the conflict, the fighting took on a more dangerous tone. The Soviet Union materially aided North Korea and China, and the threat of a possibly nuclear world war eventually ceased with an armistice that restored the original border between the Koreas at the 38th Parallel and created the Korean Demilitarized Zone, a 2.5-mile (4.0 km) wide buffer zone between the two Koreas. North Korea unilaterally withdrew from the armistice on May 27, 2009, thus returning to a de jure state of war.
During the war, both North and South Korea were sponsored by external powers, thus facilitating the war's metamorphosis from a civil war to a proxy war between powers involved in the larger Cold War.
From a military science perspective, the Korean War combined strategies and tactics of World War I and World War II — swift infantry attacks followed by air bombing raids. The initial mobile campaign transitioned to trench warfare, lasting from January 1951 until the 1953 border stalemate and armistice.
Belligerents
United Nations (UN Resolution 84):
Republic of Korea
United States
United Kingdom
Australia
Belgium
Canada
Colombia
Ethiopia
France
Greece
Luxembourg
Netherlands
New Zealand
Philippines
South Africa
Thailand
Turkey
Iran
North Korea and Allies:
Democratic People's Republic of Korea
People's Republic of China
Soviet Union
WWII
World War II in Europe had its beginnings in the ideas of Adolf
Hitler. He believed that Germans belonged to a so-called Aryan race that was superior to all other races and nationalities. Consequently, Hitler believed that Germany was capable of building a great civilization. To be a great power, however, Germany needed more land to support a larger population.
World War II, or the Second World War (often abbreviated WWII or WW2), was a global military conflict lasting from 1939 to 1945 which involved most of the world's nations, including all great powers, organised into two opposing military alliances: the Allies and the Axis. It was the most widespread war in history, with more than 100 million military personnel mobilised. In a state of "total war," the major participants placed their entire economic, industrial, and scientific capabilities at the service of the war effort, erasing the distinction between civilian and military resources. Marked by significant action against civilians, including The Holocaust and the first use of nuclear weapons in warfare, it was the deadliest conflict in human history, with over seventy million casualties.
The start of the war is generally held to be September 1, 1939, with the invasion of Poland by Nazi Germany and subsequent declarations of war on Germany by France and most of the countries of the British Empire and Commonwealth. Many countries were already at war by this date, such as Ethiopia and Italy in the Second Italo-Abyssinian War and China and Japan in the Second Sino-Japanese War. Many that were not initially involved joined the war later in response to events such as the German invasion of the Soviet Union and the Japanese attacks on the U.S. Pacific Fleet at Pearl Harbor and on British overseas colonies, which triggered declarations of war on Japan by the United States, the British Commonwealth, and the Netherlands.
In 1945 the war ended in an Allied victory and a changed world. While the United Nations was established to foster international cooperation and prevent future conflicts, the Soviet Union and the United States emerged as two rival superpowers, setting the stage for the Cold War which lasted for the next 46 years. Meanwhile, the acceptance of the principle of self-determination accelerated decolonization movements in Asia and Africa, while Western Europe began moving toward economic recovery and increased political integration.
The Nazis were responsible for The Holocaust, the killing of approximately six million Jews (overwhelmingly Ashkenazim), as well as two million ethnic Poles and four million others who were deemed "unworthy of life" (including the disabled and mentally ill, Soviet POWs, homosexuals, Freemasons, Jehovah's Witnesses, and the Roma) as part of a program of deliberate extermination. About 12 million, most of whom were Eastern Europeans, were employed in the German war economy as forced laborers.
Victims of The Holocaust In addition to Nazi concentration camps, the Soviet gulags (labor camps) led to the death of citizens of occupied countries such as Poland, Lithuania, Latvia, and Estonia, as well as German prisoners of war (POWs) and even Soviet citizens who had been or were thought to be supporters of the Nazis. Sixty percent of Soviet POWs of the Germans died during the war. Richard Overy gives the number of 5.7 million Soviet POWs. Of those, 57 percent died or were killed, a total of 3.6 million. Some of the survivors were treated as traitors upon their return to the USSR.
Japanese prisoner-of-war camps, many of which were used as labor camps, also had high death rates. The International Military Tribunal for the Far East found the death rate of Western prisoners was 27.1 percent (for American POWs, 37 percent), seven times that of POWs under the Germans and Italians. The death rate among Chinese POWs was much larger; a directive ratified on August 5, 1937 by Hirohito declared that the Chinese were no longer protected under international law. While 37,583 prisoners from the UK, 28,500 from the Netherlands, and 14,473 from United States were released after the surrender of Japan, the number for the Chinese was only 56.
According to historian Zhifen Ju, at least five million Chinese civilians from northern China and Manchukuo were enslaved between 1935 and 1941 by the East Asia Development Board, or Kōain, for work in mines and war industries. After 1942, the number reached 10 million. The U.S. Library of Congress estimates that in Java, between 4 and 10 million romusha (Japanese: "manual laborers"), were forced to work by the Japanese military. About 270,000 of these Javanese laborers were sent to other Japanese-held areas in South East Asia, and only 52,000 were repatriated to Java.
Mistreated and starved prisoners in the Mauthausen camp, Austria, 1945On February 19, 1942, Roosevelt signed Executive Order 9066, interning thousands of Japanese, Italians, German Americans, and some emigrants from Hawaii who fled after the bombing of Pearl Harbor for the duration of the war. The U.S. and Canadian governments interned 150,000 Japanese-Americans, as well as nearly 11,000 German and Italian residents of the U.S. Allied use of involuntary labor occurred mainly in the East, such as in Poland,but more than a million were also put to work in the West. In Hungary's case, Hungarians were forced to work for the Soviet Union until 1955.
Saturday, February 26, 2011
Social Studies (1A & 1B) SEMESTRAL REVIEW
En el siguiente LIKN podrán descargar la presentación de PowerPoint para estudio.
http://www.slideshare.net/rolandobollo/s-emestral-review-social-studies-i
http://www.slideshare.net/rolandobollo/s-emestral-review-social-studies-i
Social Studies (2A & 2B) FEBRERO 28 2011
RECUERDEN LLEVAR A CLASE SU LIBRETA CON TODOS LOS APUNTES Y SELLOS CORRESPONDIENTES
ESTARE CHECANDO LOS SELLOS ASIGNADOS EN CLASE, LAS HOJAS EXTRAS CON LAS QUE HEMOS ESTADO TRABAJANDO.
BIOGRAFIAS
"CUADERNILLO" (25 cm ANCHO, 60 ALTO, 3 unidades, resumenes, imagenes, creatividad, portada y presentacion)
EL MIERCOLES ME LLEVARE LAS LIBRETAS PARA SU REVISION
EL VIERNES 4 de marzo tiene como fecha limite para entregar sus trabajos pendientes
GRACIAS
SALUDOS Y SUERTE
Sigan al pendiente de las publicaciones
ESTARE CHECANDO LOS SELLOS ASIGNADOS EN CLASE, LAS HOJAS EXTRAS CON LAS QUE HEMOS ESTADO TRABAJANDO.
BIOGRAFIAS
"CUADERNILLO" (25 cm ANCHO, 60 ALTO, 3 unidades, resumenes, imagenes, creatividad, portada y presentacion)
EL MIERCOLES ME LLEVARE LAS LIBRETAS PARA SU REVISION
EL VIERNES 4 de marzo tiene como fecha limite para entregar sus trabajos pendientes
GRACIAS
SALUDOS Y SUERTE
Sigan al pendiente de las publicaciones
Social Studies I (1A & 1B) Febrero 27, 2011
No habrán maquetas!!! están canceladas!!
Solamente pediré su "cuadernillo" de las tres unidades
60 cm ALTO
25 ANCHO
Contenido de las 3 UNIDADES (pueden usar su temario para guiarse)
PORTADA OBLIGATORIA
EL MATERIAL A USAR ESTA A SU OPCION
UTILICEN IMAGENES
PUEDEN USAR LA COMPUTADORA PARA LA CAPTURA E IMPRESION DE INFORMACION
CREATIVIDAD AL 100%
FECHA DE ENTREGA VIERNES 4 DE MARZO 2011
GRACIAS
NOTA: CHECARE LIBRETAS
GRACIAS
SALUDOS Y SUERTE
Solamente pediré su "cuadernillo" de las tres unidades
60 cm ALTO
25 ANCHO
Contenido de las 3 UNIDADES (pueden usar su temario para guiarse)
PORTADA OBLIGATORIA
EL MATERIAL A USAR ESTA A SU OPCION
UTILICEN IMAGENES
PUEDEN USAR LA COMPUTADORA PARA LA CAPTURA E IMPRESION DE INFORMACION
CREATIVIDAD AL 100%
FECHA DE ENTREGA VIERNES 4 DE MARZO 2011
GRACIAS
NOTA: CHECARE LIBRETAS
GRACIAS
SALUDOS Y SUERTE
Saturday, February 19, 2011
Social Studies I (1A & 1B) Febrero 21, 2011
http://www.slideshare.net/rolandobollo/churches-monasteries-theaters
Sunday, February 13, 2011
Marxicism & Capitalism (2B & 2A February 14th and 15th)
http://www.slideshare.net/rolandobollo/marxism-6915200
Visitar Enlace para descarga o visualización de documento
Visitar Enlace para descarga o visualización de documento
Friday, February 11, 2011
Social Studies I (1A & 1B) Febrero 11, 2011
Tarea #1
Triptico de los edificios estudiados en clase.
Deberán diseñar un triptico, con la informacion estudiada en clase (la pueden bajar de este mismo blog)
Deben hacerlo en computadora, no aceptare trabajos hechos a mano y 5 minutos antes de su entrega.
Debe de contener un diseño atractivo y llamativo.
IMAGENES, para saber de que edificio hablan. Tienen que hacer propaganda a estos edificos.
FECHA DE ENTREGA AMBOS GRUPOS: VIERNES 18 FEBRERO, en HORA DE CLASE
GRACIAS
NOTA: PUEDEN UTILIZAR PUBLISHER para crear su triptico
Triptico de los edificios estudiados en clase.
Deberán diseñar un triptico, con la informacion estudiada en clase (la pueden bajar de este mismo blog)
Deben hacerlo en computadora, no aceptare trabajos hechos a mano y 5 minutos antes de su entrega.
Debe de contener un diseño atractivo y llamativo.
IMAGENES, para saber de que edificio hablan. Tienen que hacer propaganda a estos edificos.
FECHA DE ENTREGA AMBOS GRUPOS: VIERNES 18 FEBRERO, en HORA DE CLASE
GRACIAS
NOTA: PUEDEN UTILIZAR PUBLISHER para crear su triptico
Tuesday, February 8, 2011
Social Studies II (2a & 2B) Impressionist Artists
Claude Monet
Pierre-Auguste Renoir
Luis Jimenez Aranda
Max Lieberman
Michael Ancher
Henri Moret
Información relevante. Lugar y fecha de fecha de nacimiento. Fecha de muerte. Nacionalidad. Aportaciones artísticas. Músico, Pintor, escultor, escritor, etc!!!. Imágenes de sus contribuciones y de el mismo (foto) Mínimo 10 lineas, Maximo 15.
Eston son los requisitos para entregar sus trabajos:
2A: Viernes 10 de Febrero
2B: Viernes 10 de Febrero
No carpeta
No hojas de libreta
los porcentajes arriba de cada columna son los que les asignaran dependiendo de la calidad de sus trabajos entregados.
GRACIAS
Pierre-Auguste Renoir
Luis Jimenez Aranda
Max Lieberman
Michael Ancher
Henri Moret
Información relevante. Lugar y fecha de fecha de nacimiento. Fecha de muerte. Nacionalidad. Aportaciones artísticas. Músico, Pintor, escultor, escritor, etc!!!. Imágenes de sus contribuciones y de el mismo (foto) Mínimo 10 lineas, Maximo 15.
Eston son los requisitos para entregar sus trabajos:
2A: Viernes 10 de Febrero
2B: Viernes 10 de Febrero
No carpeta
No hojas de libreta
los porcentajes arriba de cada columna son los que les asignaran dependiendo de la calidad de sus trabajos entregados.
GRACIAS
| | 10% | 5% | 2% |
| Escritura Legible | El Alumno redactó de manera clara y fácil de leer. Usando signos de puntuación correctamente. | El alumno redactó de manera clara y fácil de leer. Ignoró el uso de signos de puntuación. | Difícil de leer y comprender. No se utilizó ningún signo de puntuación. |
| Imágenes | El alumno empleó numerosas imágenes para proporcionar ejemplos mas claros. | El alumno empleó unas cuantas imágenes. | No se emplearon imágenes para proporcionar ejemplos mas claros. |
| Información Importante | La información redactada es precisa y exacta. Se utilizó información relevante. | Contiene demasiada información. Información no necesaria fue incluida. | La información no fue analizada. Demasiado texto proyectando información innecesaria. |
| Presentación | El trabajo contaba con una sección en donde se presentaba el titulo del trabajo, información del alumno y del colegio, asignatura y nombre del profesor, al igual que fecha de entrega y un buen diseño de presentación. | El trabajo contaba con una presentación sencilla. Carece de información esencial . | Carece de una presentación adecuada. |
Subscribe to:
Posts (Atom)